Masks are important cultural symbols.  Since the time of Aeschylus masks have been significant in classical Greek theatre; the word for mask in Greek is also the word for persona.  In the theatre, and in religious ceremonies in cultures all over the world, masks have been used to make statements about the difference between myth and reality. A mask worn in classical theatre lets the actor disappear into the role. By wearing the mask the actor tells the audience that for the time he is on the stage the real person he is doesn’t exist. He has become the mythical character. The mask is meant to “melt” into the face and transform the actor into the character in the play. When he puts on the mask, he ceases to exist except as the character he is playing.

A mask pulled over the head with holes for eyes, nostrils and mouth, such as that worn by the criminal who beheaded James Foley is the hiding place of a despicable coward not wanting to be known. Masks have become commonplace gear for rebel soldiers who don’t have the courage to go barefaced into conflict. If their cause is noble, they should not be ashamed or afraid.  Gas masks or medical masks are another thing. They aren’t used as cultural statements when they are worn.  

The world should make a point of declaring these masked criminals to be cowards.  There is no nobility or honor in what they do when they hide behind masks.  Let us call them out. Their culture and their religion are dishonored by their masks, and when they wear the masks they are declaring that they are ashamed.  There is no dignity, only anonymous savage brutality.